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I'm Not Entirely Clear How I Ended Up Like This

by Michael Knight

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jiji Amazing writing. You can tap into the characters' thoughts and know exactly what they feel without it being said. Favorite track: When Will You Collect Your Boxes?.
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1.
Dumbshow 03:46
2.
Lads, I’d better be off now Sounds like she needs calming again He’s out, why is he late again? I can tell her we talked about her Though it wasn’t quite the way that she’ll think He said he told all his friends about me You know I know There’s no other (aside) Who’ll keep believing such bad lies We’ll be together forever (aside) At this rate we will, if soon she won’t put out I suppose I’ll soon tire of her charm Unless first she grows tired of me Our love will shine eternally Though I guess there’re her gossip mags And her beloved TV It’s time for Coronation Street You know I know There’s no other (aside) Who’ll keep believing such bad lies We’ll be together forever (aside) At this rate we will, if soon she won’t put out Her skin gives me pleasure I’ll ditch her at my leisure But I’ll be polite when I tell her: “My sweet, meet…my new lover”
3.
So you had a good time Yeah, Trent‘s a great guy I’m glad he drove you home You know I hate the thought Of you on your own I thought tonight we could go see a movie You never seem to know You used always want to go Oh you’ve seen that before? You shouldn’t worry so No it wasn’t us You’d be the first to know I’m not being suspicious Since when were we organising committee And these days 30ths are hardly worth the fuss Someone will let slip You shouldn’t worry so Can we keep it quiet? I don’t think he’ll ever know Surely he’ll have plans He’s really not that type Or does he have a girlfriend? He’s never mentioned Though at times he might suspect In fact, you know, it’s strange He’s easily dismissed The subject’s always changed I’ve known him far too long
4.
I struggled to work out why you’d been so cold Settled on some lines To apologise For everything I could think of Even times when you were clearly wrong Spending hours making sure I’ve the tone right Not too meek or mild With forced jocular style (reads) Fine! Ignore my text! I… ………… …….and I’ll stop asking where you’ve been (stops reading) I send it just as you mail me Pleased to find our timing agree He’s a better lover than you’ll ever be
5.
You cannot live before you meet someone to love But how to meet them when I have no life? For every one a friend to share life to the end Stuck outside wondering why I’m still spare Forced into some early morning air My flatmates are a noisy pair Whatever troubles you beat with your one love true I’d ask her why my wit’s not recognised For every one a friend to share life to the end What’s the point of reading Baudelaire? If that fact I’m unable to share? My folks keep hinting about an heir I have so much to tell My interests are spread well But erudition seems not to be prized Oh you should see my place With Rothko prints displayed I love Vivre sa Vie’s Cinematography But even though I’ve tried: Meek, proud, nice, friends, gay, rude, praise, lies… For every one a friend to share life to the end Numbers are swapped but then When I invite them To a Jean Genet revue (Oh yeah, I’ve read him since school) No reply
6.
…you said you’d leave it out in the morning, but you must have forgotten. I s’pose you were in a bit of a rush: you left before I woke up. Didn’t you want my breakfast? We’d go for a walk…you promised! I’ve been thinking about us so much…not every day I meet one like you. I can’t stop hurting while we’re apart. There’s so much I want to talk about I bought all those books you mentioned and my favourite i- oh you’re busy - that’s no problem, I can wait ‘til you’re finished. You’ve not commented yet on my hair! Didn’t you say you liked – but – what d’you mean there’s no us? But it cost….sixty….to cut…. ******** ……hi! It’s me! At last I tracked you down, God we were so drunk but I still remembered where you said you worked, so I just followed you home – wasn’t that night such fun? But then I couldn’t find your number…you said you’d leave it out in the morning….but you must have forgotten…
7.
(reads) November 8: failed to sell those tapes Nobody likes Menswear anymore So I ate pasta and purée It’s a fun job but badly paid November 9: the light show’s prepared Simon had better have cut his hair With our new set we’ll sound more current Sony will see how tight we play November 10: well he seemed enthused Mentioned a showcase in London too He’s to check a few things when he gets back He said he’ll call with details and We’re spoiled for choice with killer tra- On to the 12th: The girl that I met After the show, wants us to meet up Her favourite song was Psycho Lady Why couldn’t it have been one of mine? (stops reading) So far as I recall it went bad I’d the cheek to be vain but bland Though I had false Hopes I could look To at least something To oh so much
8.
Most of all he likes the way his beloved wife… And the houses, cars and kids boast of a meaningful life On and on they strive On and on they climb To prove they have been alive Artists though need shining visions helping them to write… Awards, reviews and knowing that they impact other people’s lives On and on they climb On and on they strive Until suddenly they die As they’re laid to rest Notables pay respects Achievements are described Sons and daughters cry Sons and daughters cry Then… Get on with their lives! On and on they climb On and on they strive
9.
How can you stand such hideous curtains? What have you read? Can I have a lend? I don't think we've met before but I know your face fancy a date? Let's meet halfway text if you're late Maybe we’ll make the screening at eight Yes I'll visit, which window is it? Who else is in? I'll ring in that you lost a limb Late again I wonder is she always…like….... When will you collect your boxes? Friday nights you'll still watch movies but with… I'll try to learn your recipe: Love small things...you showed me how to live my friend
10.
Finishing I watch Tills being manned and plates washed Getting on with sad lives It was quite a shock Prefaced with bland talk “No, there’s no-one else I’ll tell you when I move on And please say when you find someone” Then she calls we meet again Might she want to change When she tensely asks…if I’ve yet seen someone? They’d have different tiles and they’d have different sighs and they won’t speak softly when they have to say what’s wrong Well, I know it’s over now
11.
Now I’ve got the mortgage sorted and a job that pays well Found someone who loves me I guess soon we’ll wed Victory is mine Ooo a week’s sun in Las Palmas that would be a nice break Or we could save up for a conservatory Victory is mine

credits

released March 10, 2008

I'm Not Entirely Clear How I Ended Up Like This


A Somewhat Disjointed Narrative in 11 Tableaux

By

Michael Knight

Dramatis Personæ (in order of appearance)
Gerald Peregrine Cellist
Lynn Millar Drummer
Simon Kinane Double Bassist
Richard Murphy Singer, Guitarist, Pianist, Bassist, Accordionist
Cora Venus Lunny Violinist, Violist
Nina Hynes Singer
Bennie Reilly Singer
Sue Rynhart Singer
Niall Woods Percussionist
Davey Moor Mandolinist
Miriam Ingram Singer
Oona McFarland Violinist
Bill Blackmore Trumpeter
Lisa Carey Clarinettist
Eimear O’Grady Cellist

All characters appearing in this work are entirely fictitious. Any resemblances to real persons, especially the author, are purely coincidental.


First performed 2006/2007 in Beechpark Studios, 35 Leeson Park, 16 Thornleigh Place, 29 Fitzwilliam Quay, Porchlight Studios, Rere 31 Mountpleasant Square, 20 Castlewood Avenue, 19 Ahlbeckerstraße
Produced by Richard Murphy, Emmet O’Briain and Phil Broadbery
Engineered by Philip Broadbery, Peter Sisk at myspace.com/redtapeaudio, Peter Cheevers and Daire Winston
Mixed by Brian O’Shaughnessy at Bark Studio, Walthamstow, London
Mastered by Aidan Foley at www.masterlabs.net
All songs written and arranged by Richard Murphy
All songs © Richard Murphy 2007
Published under copyright control. All rights reserved.

Photos by Mark Duggan at www.whitenoisevisuals.com
Cover design by Dumph, Mark Duggan and Richard Murphy

Thanks to:
Brian for tolerating endless repertoire reruns
Daire for understanding silly cash flow difficulties
David Odlum for discussion and advice
Edel for the live assistance, permitting the invasion of your abode, the amp and guitar
Emmet for various constructive criticisms and suggestions and Moses/Pele resemblance
Joe & Yvette for tolerating loud a capella humming
John Lynsky for providing a studio of sorts
John/Niall/Noel for cover-related discussions
Julianne for live help
Lynn for fighting through illness for the sake of art
Mark for visual contributions, especially the mural
Nina for all the help, and for the amp, WHICH WAS RETURNED SAFELY
Peter C for the equipment, guitars, recording, advice and vast vast assistance, and, er, the amp
Peter S for general advice and assistance
Phil for help and suggestions, especially guitar-related
Ro for helpful advice various and the acoustic
Sarah for the specs, which were sadly ultimately underutilised
Sinéad Martin for live help
thetorturegarden for many things, including the midi cable
Less specific, but equally heartfelt, thanks to Lauren, Johnny, Kevin Reilly, Foggy Notions, The Indie Hour, mp3hugger, and those at thumped.com
Hugest apologies to anyone I’ve entirely forgotten, I was grateful at the time, I assure you.

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Michael Knight Berlin, Germany

A mutually parasitic but sadly inescapable marriage of the stylish black humour of Vladimir Nabokov and the sophisticated pop sensibilities of Burt Bacharach, they're staying together despite a reproduction-necessitated hiatus, and all the bickering, for the sake of DA KIDS. After the twee pop and orchestral melodrama of the previous releases, they're now making guitar-based chamber music... ... more

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